Basically we were not that much eager to have the Limux DMC-ZS1’s interface or design, and the capabilities were not as extensive as we were expecting for. Nonetheless, the Lumix DMC-ZS1’s 12x optical zoom and 25mm wide-angle lens compelled us to smile, especially at a time when, we weren’t obligated to constantly back away into oblivion so as to fit an entire building into the frame.
Image quality in bright light was some of the best we’ve seen from a compact in this class, yet we endeavored with exposure in low light. If one the Lumix DMC-ZS1’s Starry Sky Scene mode permitted us to adjust the shutter pace in minor increments like Canon’s Long shutter mode.
For most casual shooters, the Panasonic Lumix DMC-ZS1 seems to be a nice fit, though we’d strongly propose researching a little bit more, on other gadgets to get a best survey of rate, to guess the model is worth its features or not. Its price is USD 300.
Despite its one counter element, that is, its poor playback mode, this latest camera has a great bright light image quality, easy to use menus, excellent zoom and wide-angle lens fusion.
The purchase of this gadget would not prove a huge deal, of the Mode dial was solid and secure, but this thing moved, in case we breathed on it too convincingly. Every time we opened the Panasonic Lumix DMC-ZS1 from our bag, the Mode dial was set to a diverse position, mostly times residing in the unexplored horizons.
So, all the times, we tried to shoot up an image, our shutter button finger brushed up against the model dial, hauling us right out of the moment. This occurred all day, and it was beyond niggling. Lumix type of gadgets of the past highlighted an embedded Mode dial that lived away from the shutter button, and we keenly suggest that Panasonic slipped back to the success of those designs.